France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  54710
Prince
mk237 1632 Oil on canvsa 117.8x95.9cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  54725
Prince
mk237 1634-1635 Oil on canvas 209x173cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  54735
Prince
mk237 1635-1636 Oil on canvas 191x103cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  54738
Prince
mk237 1936 Oil on canvas 144x96.5cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  54746
Prince
mk237 1639 Oil on canvas 128.5x99cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660

ID de tableau::  54748
Prince
mk237 1626-1627 Oil on canvas 210.5x126.5cm
Spanish Baroque Era Painter, 1599-1660

   
 

 

 
   
      

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Reza Abbasi

(1565 - 1635) was the most renowned Persian miniaturist, painter and calligrapher of the Isfahan School, which flourished during the Safavid period under the patronage of Shah Abbas I. He is considered to be one of the foremost Persian artists of all time. He received his training in the atelier of his father, Ali Asghar, and was received into the workshop of Shah Abbas I at a young age. At the age of about 38 he received the honorific title of Abbasi from his patron, but soon left the Shah's employ, apparently seeking greater freedom to associate with simple people. In 1610 he returned to the court and continued in the employ of the Shah until his death. His specialty was the Persian miniature, with a preference for naturalistic subjects often portrayed in an effeminate and impressionistic manner,a style which came to be popular during the late Safavid court.

ID de tableau::  58161
Prince
Prince Muhammad-Beik of Georgia by Reza Abbasi, 1620
(1565 - 1635) was the most renowned Persian miniaturist, painter and calligrapher of the Isfahan School, which flourished during the Safavid period under the patronage of Shah Abbas I. He is considered to be one of the foremost Persian artists of all time. He received his training in the atelier of his father, Ali Asghar, and was received into the workshop of Shah Abbas I at a young age. At the age of about 38 he received the honorific title of Abbasi from his patron, but soon left the Shah's employ, apparently seeking greater freedom to associate with simple people. In 1610 he returned to the court and continued in the employ of the Shah until his death. His specialty was the Persian miniature, with a preference for naturalistic subjects often portrayed in an effeminate and impressionistic manner,a style which came to be popular during the late Safavid court.

   
 

 

 
   
      

Reza Abbasi
(1565 - 1635) was the most renowned Persian miniaturist, painter and calligrapher of the Isfahan School, which flourished during the Safavid period under the patronage of Shah Abbas I. He is considered to be one of the foremost Persian artists of all time. He received his training in the atelier of his father, Ali Asghar, and was received into the workshop of Shah Abbas I at a young age. At the age of about 38 he received the honorific title of Abbasi from his patron, but soon left the Shah's employ, apparently seeking greater freedom to associate with simple people. In 1610 he returned to the court and continued in the employ of the Shah until his death. His specialty was the Persian miniature, with a preference for naturalistic subjects often portrayed in an effeminate and impressionistic manner,a style which came to be popular during the late Safavid court.
Prince

        
 
   
 

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